Much of Bev's subject matter is provided by the out-of-doors. "I love nature," she says, "I try to look beyond the obvious and create unique, meaningful paintings depicting our Western wilderness and it's inhabitants."

Bev Doolittle's art, especially her camouflage work, demands months of development, research of terrain and animal sketching. After developing the concept, she creates "thumbnail" sketches, up to as many as fifty, where she reworks the image until she has achieved her idea.
Next, she works out all the questions of detail  in a larger comprehensive pencil drawing. A color study follows, enabling her to determine the colors that add most to the composition. Finally, she decides the size for the original and begins to paint. Her technique is extremely tight and detailed and she works in a very demanding medium—transparent watercolor; it takes long weeks of intensive work to complete an original

Of her work Bev says, "I start with a concept and attempt to convey it though strong design coupled with detailed realism. I want people to think when they look at my paintings."